Wind Ensemble. The Serenade No. Mozart: Serenade in C minor for Wind Octet, K.388/384a. The oboes commence, with the bassoons following one measure later. Listen to music by Holliger Wind Ensemble on Apple Music. 4 in G minor, K. 516 (1787) String Quintet No. Nicknamed “Nacht Musik” (Night Music), the Serenade in c minor is the moment in which Mozart turned the historically frivolous genre of the wind serenade into a serious medium. Allegro - 3:35, Oboe I-II The Serenadeis in four movements, closely replicating the common symphonic form of the day. Serenade No.12 in C Minor for 8 Winds "Nacht Musique" KV 388 (384a) By caters, December 28, 2019 in Repertoire. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello) .Unlike his other string quintets, however, the work was not originally written for strings. Although the period of Harmoniemusik activity spans from 1760 to 1837, this musical tradition enjoyed its most considerable popularity in Vienna and Prague around 1780-1800. The Serenade No. 10/n B flat Major, K. 361/370, Serenade No. In the recapitulation, the transition is elongated, allowing for a C minor second theme, transforming the once restive oboe melody into something far more brooding in nature. This highly desirable and generous anniversary release features Mozart’s undoubted two greatest masterpieces for Wind Serenade – the so-called ‘Gran Partita’ for 13 Wind instruments and the ground-breaking C Minor Serenade. Stream ad … 3. 12 in C Minor K. 388/384a is most likely written in late 1782 or 1783. The C-minor Serenade, K. 388 was written the same year for another nobleman, Prince Liechtenstein. 2007 Preview SONG TIME Serenade in C Minor, K. 388: I. Allegro. Prior to 1782, these ensembles consisted primarily of three pairs of instruments, usually oboes, bassoons and horns. This piece could serve as an introduction to wind chamber music in general or, more specifically, to the Czech-inspired style of Dvořák. Menuetto in canone - Trio in canone al rovescio While Mozart’s Wind Serenade in C minor is a much more serious affair than Nielsen’s, in its own way it is just as radical. 12 in C minor, K. 388 : III. Mozart wrote the Serenade in C minor, K. 388 in 1782. Yet the results are far removed from the detached courtly style of the serenade: the work one of the jewels of the wind repertoire opens full of earnestness and profundity in the gloomykey of c minor. Serenade in C minor, K. 388/384a; The Serenade no. Browse: Mozart - Serenade No. Menuetto in canone ... More by Oslo Philharmonic Wind Soloists. The brief development makes use of canon, which traverses the keys of B flat and E flat major as well as G minor before returning to C minor tonic. The minuet, labeled “in canone,” masterfully displays Mozart’s contrapuntal skill. The clarinets take up the chase in the second section of the minuet, initiating a false return after the emphatic conclusion of their melody. The opening allegro is quite dramatic and the andante especially lyrical. By Wolfgang Amadeus Mozart. The sixth variation, returning to minor, showcases the bassoon in obbligato support of the melody in oboe l and II. Wind Ensemble (Thomas Caneva, conductor) - 20 March 2020, Ohio University (Athens) Wind Symphony Chamber Players (William Talley, conductor) – 4 March 2020, Ithaca (N.Y.) College Wind Ensemble (Christopher Hughes, conductor) – 3 March 2020, Northwestern University (Evanston, Ill.) Symphonic Wind Ensemble (Mallory Thompson, conductor) – 31 January 2020, University of Cincinnati (Ohio) College-Conservatory of Music Chamber Winds (Kevin Michael Holzman, conductor) – 31 October 2019, Illinois State University (Normal) Wind Symphony (Joe Manfredo, conductor) – 16 October 2019, Northwestern University (Evanston, Ill.) Symphonic Wind Ensemble (Mallory Thompson, conductor) – 9 June 2019, Southern Oregon University (Ashland) Wind Ensemble (Cynthia Hutton, conductor) – 6 June 2019, Randolph-Macon College (Ashland, Va.) Ensemble (Brian Coffill, conductor) – 27 March 2019, Gustavus Adolphus College (St. Peter, Minn.) Wind Symphony (James Patrick Miller, conductor) - 16 March 2019, Gonzaga University (Spokane, Wash.) Wind Ensemble (Robert Spittal, conductor) – 18 November 2018, Pacific Lutheran University (Parkland, Wash.) Wind Ensemble (Edwin Powell, conductor) – 18 November 2018, Cornell University (Ithaca, N.Y.) Wind Symphony (James Spinazzola, conductor) – 6 May 2018, Baldwin-Wallace College (Berea, Ohio) Symphonic Band and Wind Ensemble (Brendan Caldwell, conductor) – 25 April 2018. By caters, December 28, 2019 in Repertoire. Another puzzle is its form: In Mozart's day, a serenade would have consisted of a series of loosely-connected movements in dance meters, typically five or more. ... Serenade in C Minor, K. 388: III. Unlike with most of his works, there is no mention of this wind serenade in any of his surviving letters. 11 In Eb Major K.375 / Serenade No. Reply to this topic; Start new topic; Which Andante sounds better to you? Serenade in C-minor. Print Program Notes. 12 for Winds in C Minor, K. 388/384a: II. 12 for Winds in C minor K. 388/384a, was written by Wolfgang Amadeus Mozart in 1782 or 1783. The Serenade in C Minor for wind octet (K. 388), on the other hand, is a much more serious work. The E flat major theme in the clarinets contains suspensions reminiscent of the more gentle phrases in the first key area of the previous movement. 12 in C Minor. The Oslo players favor rapid, agile tempos in the lively Allegro of K. 227 and in the zestful finale (Presto) of K. 252. Browse: Mozart - Serenade No. Wind Ensemble. Dvorák: Serenade For Winds 2000 Dvorak (the Very Best Of) 2006 You Might Also Like. 44, is a versatile work that can fill a variety of programming needs. String Quintet No. We are beset by confusion about the chronology. The second theme, especially in its embellished repetition, is the most light-hearted melody of the work, with the possible exception of the last variation of the finale. 12 for winds in Cm, K. 388/384a was written by Mozart in 1782/83. In an ironic twist, despite its somber demeanor throughout, the Serenade ends in a triumphant C Major. 12 for Winds in C minor K. 388/384a, was written by Wolfgang Amadeus Mozart in 1782 or 1783. 12 in C minor, K. 388 : III. The second key area, in E-flat major, contains a singular, more restive oboe theme, augmented by the horn. Showing 1 - 10 of 63 results 4. Written for only eight players, this work takes on symphonic qualities by exploring a plethora of colors and emotions. Wolfgang Amadeus Mozart (ed. This transcription survives as String Quintet, K. 406/516b. Check out Serenade No. explore seems lifted by the Serenade’s triumphant ending in the key of C Major. Serenade for wind instruments, cello and double bass in D minor (Czech: Serenáda pro dechové nástroje d moll), Op. Sometimes called Nacht Musique, it was transcribed for string quartet in 1787 by Mozart, now surviving as String Quartet K. 406/512b. The work is sometimes called "Nachtmusik". Share Followers 0. That Mozart himself was obviously aware of the serenade's unusual and atypical character (and perhaps quality) may be gauged by the fact that several years later, probably in 1788, he arranged it for a very different genre, transforming it into the String Quintet in C minor, K. 406 (K. 516b). Although opera and ballet transcriptions were the mainstays of Harmonie repertoire, many original works were composed as well. 12 in C minor. 12 in C minor, K388 by Wolfgang Amadeus Mozart (1756-91). It consists of four movements: allegro, andante, menuetto in canone, and allegro, and it is one of Mozart's masterpieces. Wolfgang Amadeus Mozart, English Concert Winds - Mozart: Wind Serenade in E Flat, K.388 / Serenade in C Minor, K.375 / Three Overtures - Amazon.com Music 5 in D major, K. 593 (1790) String Quintet No. 2 in C minor, K. 406 (516b) – This is a transcription for string quintet of the earlier Serenade for wind octet in C minor, K. 388. second movement for his opera Cosi fan tutte. - Program Notes from Illinois State University Wind Symphony concert program, 28 October 2016, To submit a performance please join The Wind Repertory Project, World Association of Symphonic Bands and Ensembles (WASBE), University of California, Los Angeles, (UCLA) Wind Ensemble (unconducted), California Polytechnic State University, San Luis Obispo, Wind Ensemble (Christopher J. Woodruff, conductor), Overture to "Abduction from the Seraglio", Overture to "The Marriage of Figaro" Harmoniemusik, Sonata in A (3rd Movement -- Rondo alla turca), Serenade in C minor, K.388/384a (Mozart, Wolfgang Amadeus), IMSLP, https://www.windrep.org/index.php?title=Serenade_in_C_minor_K388&oldid=179627, Missouri State University (Springfield) Wind Ensemble (John Zastoupil, conductor) - 17 November 2020, Ball State University (Muncie, Ind.) - Program Note by Brian K. Doyle for Temple University Wind Symphony: Chamber Winds concert program, 15 July 2015. Sometimes called Nacht Musique, it was transcribed for string quartet in 1787 by Mozart, now surviving as String Quartet K. 406/512b. Regardless of label, this is hardly light entertainment music. Serenade in D Minor, Op. From a January 20, 2017 performance at the Music Academy of the West in Santa Barbara, CA. Og vil man som i dette tilfælde ændre instrumentationen fra ... a wind-nonet, where a flute replace one of the oboes, and … The momentum eases off in the seventh variation, wherein the clarinet’s skeletonized and rhythmically stretched melody allows for a series of “sighs” and harmonic intensification. The C-minor Serenade, K. 388 was written the same year for another nobleman, Prince Liechtenstein. Check out Serenade No. Mozart employs only four voices in the trio -- the oboes and bassoons. Publisher: Bärenreiter Leeson and Zaslaw). 3 in C major, K. 515 (1787) String Quintet No. Andante - 4:05 Menuetto in canone ... More by Oslo Philharmonic Wind Soloists. (1787) String Quintet No. Andante by Budapest Wind Ensemble & Béla Bánfalvi on Amazon Music. Chamber Music - 50 of the Best Various Artists A Guided Tour of Nationalism in the Romantic Era, Vol. It has been assigned the Koechel number 384a in order to approximate composition date. The finale is a theme and variations form, which recaptures the brooding sensibility of the first movement, maintaining it through the first four variations. Serenade in C minor, K. 388/384a; The Serenade no. 4 in G minor, K. 516 (1787) String Quintet No. As musicologist Alfred Einstein noted, “We know nothing about the occasion, nothing about the person who commissioned it, nothing about whether this client desired so explosive a serenade or whether that is simply what poured from Mozart’s soul.” However, scholar Robert W. Gutman posits that the Serenade in C Minor, in all likelihood too serious for Emperor Joseph’s tastes, might have been intended for Prince Alois Joseph Liechtenstein, a musical connoisseur, who ruled his lands by proxy while living in Vienna. The phrases of the first key area of this sonata form are closely argued, creating an almost neurotic shift in emotional quality, which finds resolution only as the transition to the second key area commences. 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